[Skip back to April 2001 / Return to Boardroom index / Skip ahead to June 2001]
Subj: BoardRoom: Preshow at BONS?
From: cjacobso@english.upenn.edu (Carolyn)
Time: Tue, 01-May-2001 18:35:29 GMT IP: 130.91.24.118 Will there be a pre-show at BONS?
Subj: BoardRoom: Alyssa! E-mail me please!!
From: cokiishi@hotmail.com (Oki-shin)
Time: Tue, 01-May-2001 21:06:38 GMT IP: 205.221.255.42 I have a script you want...and really a script we all want...especially a certain Dan Fairchild... ;)
Subj: BoardRoom: King Toad CD
From: spenswa1@aol.com (spencer)
Time: Wed, 02-May-2001 00:17:04 GMT IP: 128.255.191.46 how can i buy a King Toad CD before summer comes?
Subj: BoardRoom: re: King Toad CD
From: lucre@farts.com (Nick)
Time: Wed, 02-May-2001 01:31:48 GMT IP: 64.209.134.135 You can buy a King Toad CD by talking to Jamal River the next time you see him, or going to his webpage -&- using his paypal thing.
Subj: BoardRoom: re(ad beween the lines)view
From: strangelove45@hotmail.com (paulrust)
Time: Wed, 02-May-2001 03:37:04 GMT IP: 128.255.107.46 0.5. "American Poetry," by Chris Stangl: C Stangl, A Lawson. [two men drink liquor, one blacks out; comedy sketch] The "blackout" pun was nice. It's good to have these less horrorific "drunk gags" from time to time. That way, the harsher ones seem harsher and the sillier ones seem sillier, right? Yeah, I thought so. 1. "Five Minutes for the Best Five No Shame Skits of All Time," by Steve "Captain N: The Game Master" H: S"CNtGM"H. [S recreates the best No Shame skits of all time; "Pookman," Julia Wilder, and a drumming guy are featured; imitative comedic performance] This was one of a quite a few pieces tonight that thumbed their noses at the audience, fellow performers, themselves. All of them were really bold and hilarious, too. I guess this happens a lot at No Shame, but tonight, there seemed to be more and they carried more weight since it was the last, normal week and therefore, the performers seemed to be getting their jabs in before summer. But, I digress... this was a really good piece where the gutsiness felt gutsy and not cute. 2. "The Greatest Form of Entertainment? Your Imagination!" by Paul Rust: P Rust, A Galbraith, C Stangl?: [P finds rocketpacks in everyday items; all is saved by TV; comedy sketch] It was fun getting down to my underwear during the order, but maybe I should have put my clothes on for the sketches I was in. It didn't give this sketch very much of the reality I was going for (two sentences ending in prepositions - shame!). I'm sure it also became a distraction for ladies to spend the entire sketch staring at my Herculian body. 3. "Bang! A Love Story," by Adam Hahn: A Hahn, ??, ??. [infidelity, fighting, and misunderstanding lead to horrific results for a couple; dramatic sketch] Tone was werid. I don't know why. Maybe it should have created a more premonition-like feeling from the beginning. By the end, I didn't know if I should laugh or not. 3.5. "The Longest Poop," by Maria Hill, Britt Hill, --&-- Al Angel: A Angel?, A Clarke, C Stangl. [Who is the grossest? The one with the longest poop and the most silly string; comedy sketch] As camp sketches and "Big" have taught us since the beginning of time, Silly String will always be funny. Always. 4. "How'd Your Day Go, Mustache?" by Mark Hansen: M Hansen, N"B" Campbell, JC Luxton. [There is love. There are puns. comedy sketch] First time as an audience member that I felt Mark's wordplay and off-kilter storylines really worked in a sketch. Before, you could count on a Mark Hansen sketch to have one or two brilliant jokes in it, but then not have much to offer in terms of a long- lasting impression. So, whatever he did differently for this (having a concrete idea of what he wanted to express - I don't know), I encourage him to continue to do because it really worked. 5. "A Dance Piece," by Lynn Anderson, Scott Arnold, Mary Fons, Will Nedved: the aforementioned. [they dance to a Madonna song; dance performance] Maybe I am expecting too much or am being a snob, but I feel like even if something IS goofy, it should be goofy for a reason. This main mood conveyed in this performance was one of celebration, but what was it trying TO SAY other than that choreography is funny? I don't know. 6. "Problems His --&-- Man Dyslexic The," by Mike Cassady --&-- Paul Rust: sorry, can't help. This was a perfect marriage in that contains the two things that often pop up in Mike and I's individual pieces. Mike's fascination with birth and the body and my intersest in the hidden pathos of sitcom scenarios. It failed to have much excitement or spotaniety (sp?) though after sitting on a shelf for a week. I guess Mike and I failed as performers there. 7. "Earth's Tragedy: The Dramatic Years," by Sam Negron: C Stangl, A Burton. [C and A deliver a sketch with slightly different blocking from the last time we saw it; dramatic sketch] Another one of those irreverant pieces that kicked ass that night. In addition to just being bold in re-doing somebody else's work, this was also really cool to see how a piece can be re-staged and acted differently to create an entirely different perspective. 8. "An Actual Attempt to Woo a Mate From the No Shame Audience," by Arlen Lawson: A Lawson, N"B" Campbell, Mark Hansen?. [A describes his attributes in order to win love; others love as well; comedy sketch] Found an interesting way to examine oneself without boring the shit out of an audience. 9. "For Ham My Kill Money," by Ink Larck! INK LARCK!!: N Clark, A Angel. Sorry, can't help again. My performance was weak and everybody else was energetic and strong. I fucked up. 9.5. "Come Se Dice Cuntrocket?" by Audrey Plumshower III: N"B" Campbell, M Cassady. [N"B" and M exchange pinga descriptions in Spanish; comedy sketch] This Plumshower girl sure is naughty! Somebody should wash her mouth out with soap... soap made from red horse turds, that is! Ha! Ha! Ha! 10. "How to Give a Blowjob in Six Easy Steps, OR: Why the Egyptians Hate the French," by Aprille Clarke: A Clarke. [A sucks mummy dick and shares; comedic monologue] This was really good, but in retrospect, I wish Aprille would have used make-up for this. She should have had some type of disgusting milk crust around her mouth. I know this could be seen as just a gross sight-gag, but in Aprille's control, I think it could have been really funny, disgusting, and sad all at the same time. 11. "The Deadlies, Part Seven: The Purple Horse," by Charles Flaherty: JC Luxton. [JC pridefully lectures the audience on his own genius and superiority; dramatic monologue] I admire J.C. for being able to keep the whole "seven deadly sins" idea subtle throughout the whole series. It's very tempting to want to be very heavy-handed in a sketch, so an idea can be expressed in just five minutes. Maybe J.C.'s use of a serial is the best way to achieve subtlety. 12. "The Life Cycle First Segment The Mom-Hole --&-- the Baby," by Al Angel: A Angel, N Clark [A smokes and N gives insights from under the table about what happens when babies come out; seriocomedy sketch] I guess my review of this would be similar to my review of Chris Stangl's piece last week. I wish Al wouldn't feel it's necessary to split pieces into "silly gags" or "very serious" pieces so often. This piece was both comedic and dramatic and really worked. 13. "Running Into Arlen," by Jamal Stangl --&-- Chris River: J River, C Stangl, A Lawson. [J and C run into A when they take walks; they do terrible and hilarious things to him; bonus play] Like "Waiting for Godot"... only if Vladimir and Estragon actually found Godot and then held him down and french-kissed him. 14. "I Smashed a Rabbit --&-- the Rabbit Got Sick," by Neil "Balls" Campbell: N"B" Campbell, JC Luxton, SH. [N convinces audience members to discuss their own farts and put his teeth back in his head; comedic monologue] I liked how Neil's character wasn't just about insulting the audience. Then he would have seemed like Don Rickles or something. By developing a charcter and a background story beforehand, it was funnier and more understandable to see him antagonize people later. 15. "Twenty One Came With Ice Cream Scoop," by Chris Stangl: C Stangl. [C uses an ice cream scoop as a variety of props; comedic autobiographical monologue] This was really intriguing. Chris showed how various artists (singers, writers, comedians) would approach an object as a prop, narrative tool, joke, etc. As a result, Chris showed how all art basically uses the same tools. And how sometimes it results in others' misfortune (the kid crying in the end). At least, that's how I took it. But I'm sure even differing opinions would carry the same idea as mine. This is prolly one of Chris' strong points, I suppose. He keeps his messages open enough, so they can be disected differently by various people, but still in the end, have the same basic point he wants to make.
Subj: BoardRoom: Blatant promotion
From: adam@avalon.net (Adam)
Time: Wed, 02-May-2001 20:30:06 GMT IP: 128.255.95.37
I know it's off-topic, but here it is anyway--
-------------------------------
For all University of Iowa students: If you're tired of getting
totally ripped off at textbook buyback, there's finally an online
alternative. Save your books till fall and then sell them to
other students at Iowa City Now (http://www.iowacitynow.com).
For some reason the Daily Iowan doesn't want to do a story about
this ("Yeah, I suppose students would want to know about this,
but we just didn't think it would make a good article")
*ahem*Universityprofitmargin?*cough* but I imagine some of you
might disagree about it's newsworthiness.
With tightening of the budgets, the students are probably going
to end up paying even more of the tab -- so maybe this will help
afford it. Tell your friends!
Subj: BoardRoom: re: Blatant retraction?
From: adam@avalon.net (Adam Burton)
Time: Thu, 03-May-2001 03:26:18 GMT IP: 24.4.252.112 Harrumph. Looks like the web host is down for iowacitynow.com at the moment (Wednesday evening). So check it again Thursday or so if you couldn't get in... -Adam
Subj: BoardRoom: Oh no!
From: blue__seraph@hotmail.com (Seth)
Time: Thu, 03-May-2001 03:39:58 GMT IP: 208.129.184.39 Would it be highly illegle for me to tape BONS with a portable moment catcher? Will British police officers hunt me down and club me with thier menacing yet lovable nightsticks?...If this is unacceptable...can someone please tell me...
Subj: BoardRoom: re: Oh no!
From: cokiishi@hotmail.com (Quiche)
Time: Thu, 03-May-2001 03:43:14 GMT IP: 65.6.173.43 Totally okay and acceptable. Tape away!!
Subj: BoardRoom: re: Oh no!
From: lucre@farts.com (nick)
Time: Thu, 03-May-2001 05:00:10 GMT IP: 64.210.241.103 :Totally okay and acceptable. Tape away!! Oh fine, Chris. Speak for all of us why don't you. That's my soul he's stealing in his little picture-box too, y'know.
Subj: BoardRoom: re: Oh no!
From: cokiishi@hotmail.com (Soul-stealer...)
Time: Thu, 03-May-2001 19:51:47 GMT IP: 205.221.255.42 Sorry to be so forward! I was merely harking to a LONG BONS tradition of allowing people to tape--actually nearly every BONS has been recorded, and some by several spectators. I suppose, though, if you don't want your piece taped, please announce so from the stage. Again, sorry to speak out of turn...
Subj: BoardRoom: Best Of No Shame
From: lemminger@hotmail.com (Arlen)
Time: Sat, 05-May-2001 06:04:56 GMT IP: 128.255.111.218 Alright, now I know I told you all individually that you shouldn't come to Best Of No Shame Theatre, but you must understand that, when I said this, I expected that you would come anyway. Do come, please, and invite a friend. My suspicion is that this Best Of will be one million times more fun than any Best Of in the history of Best Of. In fact, I guarantee this to be my suspicion, 100% money back if this is not. _Areln
Subj: BoardRoom: It Is So Nice
From: antithesis@birdmail.com (Dan Fairchild)
Time: Mon, 07-May-2001 02:56:02 GMT IP: 128.255.109.164 As, I think, the first person to buy a Nozebone the Band album, I would like to be the first person, I think, to review said album. I'm probably neither of the above. Don't correct me. I want to feel special. This album seems to be created from nothing but itself. Possibly from thin air. This is what I mean by this: in the liner notes Nozebone has the courtesy to list some of their musical influences, however, this influence seems to be completely absent from the entire album. NbTB does stick close to the time tested and time honored tradition of riffs, and extended vowel sounds, yet this is inevitable when taking into consideration the...atmosphere NbTB wishes to create. Instead of saying, let's do this like so-and-so did on that song titled, "Such-and-Such," NbTB says, "Let's do this because....well...let's just do this." That's not to say that there is no rhyme or reason to their songs. The rhyme. Flavor Flav once said, "I got more rhymes than a beach got sand." NbTB cannot claim this distinction. In fact, most of the rhymes aren't all that clever. They don't come up with a rhyme for orange, but then again, who has? Yet they are original. They take risks with the rhymes. Not dangerous risks, but risks that say what the album itself says: "It is so nice." Case in point, Widower Moon: "His face made of leather, his hair spun from silk, he swam in a sea of homogenized milk." They dance with the words. They truly command the words even more than they command their instruments as seen in Last Christmas, "If chance changes, then change chances; the chain dances, but it never changes." Just an example of the exquisite word play you can expect from these word wizards. The reason: They attack and they sooth. They berate and they befriend. They moon and they mourn. Nozebone's target: the cliche. They blast apart the carbon copy date rape frat boy in "Dragonflies." They blast apart modern musical convention (through lyrical meaning instead of just musicianship which is present everywhere on the album) in "I Wanna Be A Rock -&- Roll Band." They like the notion that they are better than that which they target, however they are aware of the fact that if they were truly above it, they wouldn't be singing a song about it. "So just tell me how much better I am./ I'm no date raping drunkard, no creep like him./ I'm not the one that had you cornered and creeped out./ I'm not a dragonfly but I've still got some doubts." But for the most part, even while they are on the attack, they are still amazed and in love with all things around them. They mingle spiritually. Johnny Handsome, percussionist and melodica god, and the Reverend Nick Lucre, strumstickist extraordinaire, swap singing duties, and the choices they make with their respective vocal stylings is soul-melting. Handsome can switch from a soulful moan to a medulla quaking croon. Lucre can emote anger like it ain't nobody's business one second and turn around to a delicate ear tickle the next. All in all, NbTB may just be too far ahead of their time to top the charts, but they have carved a niche for themselves. One which they can define and redefine as often and as drastically as they like. Hence the future of NbTB, only one day after the release of their debut album, is secure. Rock is Dead. Long Live Nozebone.
Subj: BoardRoom: re: It Is So Nice
From: meganickclark@hotmail.com (rev. lucre)
Time: Mon, 07-May-2001 14:07:34 GMT IP: 64.210.241.103 :Nozebone has the courtesy to list some of their :musical influences, however, this influence seems to be :completely absent from the entire album. Thanks for saying so, Dan, but I rather believe we wear our influences / victims of rip-offage on our sleeves. Cases in point: 1. The Worst TDK ever - a sound check using the opening riff to Radiohead's "National Anthem" 3. Windshield - Ripped off meter and structure (and originally melody too) from BOTH Ani DiFranco's 'Gravel' and the Glands' "Swim". 5. Codependency / Divorce Song - Built on Beat Happening's "Godsend", and utilising that band's approach to making a song by repeating a single riff over and over for six or more minutes. The vocals are sort of inspired by Radiohead's "Everything in it's Right Place" 7. Spontaneous Tribute to Chuck Mee - see no. 1 10. Tommy's Restaurant Tommy's - this song was originally written to be performed by King Toad, and reflects NBtB's concept of what King Toad music plays like. 11. Widower Moon - A blatant rip-off of Neutral Milk Hotel's "Engine", right down to the singing-saw-emulating noseflute. 12. Dragonflies - An attempt, with the vocals at the end "just this once" to mimic Mike Ness' vocals at the end of the song "Let it Be Me" on Live at the Roxy by Social Distortion. An attempt at a spooky guitar sound like Ani's Hide -&- Seek only faster in the sstick. 13. The ! that was shaped like a ? - This is a cover song. 14. No Pressure, No Pain - Concieved to sound like the Talking Heads' "The Overload", though I agree that the album version doesn't really sound that way. 16. Last Christmas - Written to the meter of Neutral Milk Hotel's "Song Against Sex", the backwards strumstick part is also a 4/4 adaptation of the melody to Elliott Smith's "Xo" Honeybee - Written and sung to sound like "Starkville City Jail" by Johnny Cash, and the version of "That's Alright" performed by Elvis Presley.
Time: Mon, 07-May-2001 19:29:27 GMT IP: 128.255.52.160 I read the "history of no shame" and it was educational on a basic facts level, but I was wondering if anyone out there could enlighten me on other historical points. mostly, what were some eras' main comedic foundations? were they satirical, absurdist, shock, etc.? for example (i'm making this up off the top of my head, but it's for example, so jesus christ, lay off!), one would say 1988-1989 was mainly "monty python"-esque. I know it's hard to categorize an entire group of writers/performers' work, but I'm just looking for some perspective on NS past. Thanks.
Time: Mon, 07-May-2001 19:58:01 GMT IP: 207.165.237.210 Paul, et al, I would recommend perusing some of the old scripts in the archives, in particular those designated "early scripts". This gives an idea of the tener and tone of early No Shame. Also, take a look at the Best of Best of No Shame (BOBONS) designees, many of whom feature early performers doing their thing. In general, it seems there was a variety of styles and formats, much like today, though seemingly less dependent on shock and "vulgarities", per se, although these features are clearly present. Enjoy!
Time: Tue, 08-May-2001 01:06:01 GMT IP: 209.217.137.167 And here's one I forgot. 2. Umbrella - sstick introduction sounds exactly like the guitar riff to R.E.M.'s "Departure".
Time: Tue, 08-May-2001 18:42:11 GMT IP: 172.168.11.180 Paul, Chrokiishi speaks true. One of the interesting things about No Shame is that even when it goes in trends they have tended to be multifaceted and eclectic. In the days of the truck, for example, there tended to be alot of monologues, because that's all that fit in the truck. But at the same time there was also a consistent thread of people trying to make innovative use of the truck - such as when Todd Ristau "stole" the truck in the middle of the show and drove off with it. Or Tony Trout's attempt to use the truck's cassette deck to create a stereophonic piece. On the more shameful side, I remember a trend toward lame standup comedy which occurred simultaneously with a trend toward extremely abstract dada-inspired performance art. The best answer, of course, as Chris mentioned, is to check out some of the scripts in the script library. And the best question is why not submit some of your OWN script to the No Shame library so that future generations of No Shamers may answer this self-same question??? ...Jeff The best ans
Time: Tue, 08-May-2001 18:48:59 GMT IP: 172.168.11.180 Congratulations to everyone on another exciting year of No Shame. But before you all scamper off into the winds of summer, to leave this year's woes forever forgotten... Why not clean out your creative closet and send some of those old No Shame scripts to the web library to be preserved for posterity? Simply email your script as an attachment to NoShTh@aol.com (for best results, SAVE AS HTML before sending, but really almost any format will do.) ...Jeff
Time: Tue, 08-May-2001 21:02:47 GMT IP: 128.255.106.185 Hey...whatever happened to SVP or whoever taping all the no Shames? Our best friend Mike Schmidt and such?
Time: Tue, 08-May-2001 21:07:52 GMT IP: 128.255.106.185 The rev. forgets the intro to Teresa of Avela (sp), the strumstick part of which is lifted from Cat Power's magnificent Cross Bones Style. Just here to help.
Time: Tue, 08-May-2001 21:22:05 GMT IP: 128.255.106.185 The Rev (he probably hates me calling him that) may be qucik to point out faults in Nozebone the Band's debut album, "It is So Nice," but we both agree that we are extremely pleased and totally proud of said product. We're sort of like softball coach fathers, without the colorful hats, aptitude for sports, or mobs of children who go by the name The Ladybugs or The Velociraptors or The Conscientious Objectors (a popular little league name in the sixties.) Which reminds me, if you'd like to agree with Dan Fairchild that we are the greatest ever, you can purchase the album a few different ways. 1. Go to the Nozebone website. A link to this is under the Who's Who at No Shame link. I'm not sure if this actually works (the Pay Pal thing) but you can sure as hell try. 2. E-mail myself (Bromarks@aol.com) or Nick (meganickclark@hotmail.com), and ask us to get one to you. Maybe we can mail it to you if you give an address. But perhaps not. 3. You might be lucky enough to chance upon us on the street. You can ask if we have a copy. If we do, we can give one to you. It is five dollars. It is also, I hear, so nice. There was talk about trying to sell it in the stores, like Sal's and Record Collector and Best Buy and Touch of Mink, but I don't know much more on that subject, except that we'll avoid Vibes as per A.J. River's orders. Etc: On Friday at 101 BCSB (that's Becker Communication Studies Building if you're not into the whole brevity thing) at 7, or maybe 8, I'll get back on this, there will be a showing of Satori Snow's film Mental, featuring old No Shame favorites Brad Smith and Kyle Lange,as well as other people. Don't miss it. Carpal Diem, Hand me some of that Johnny Handsome
Time: Tue, 08-May-2001 22:57:11 GMT IP: 206.65.190.134
We will be putting the album into stores once we have enough
copies burned to do so. Also, if you buy a copy RIGHT NOW, I will
have not one actual compact disc to bestow upon you. So wait
until, like Wednesday or so. Free albums are not impossible to
obtain either, if you are So Nice to the band.
It's true that I am quick to criticize. No artist in any
medium feels content with anything he/she cranks out unless he/she
is a total snob-ass dilletante (sp?). I think that having
reservations about a piece of work that you know you devoted
countless hours and immeasurable energy and emotion on is a pretty
good way to be sure that you really took the project seriously.
And we the band took and continue to take this album very
seriously. It is an amazing thing we did, making this album, and
despite any reservations, we are mega-proud.
The music on our compact disc is something that we the band
know and love, but it's easy for us to forget how many people in
the world have never even heard anything *like* this, which,
despite the derivations of our songs, is what I think Dan referred
to in his review. (Btw, Dan, you are the first to pay for and
recieve our record, though not the first to pay for it. You are
the first to offer a written review of it, though not the first to
offer written reviews of individual songs from it.)
The first reviews of these songs are on Garageband.com. At
first glance, most of them come off negatively, though on closer
inspection, reviews like "I really don't get this track at all" and
"What the 'f' is this?" reveal more about the audience than the
music; these reviewers are not ready for Nozebone the Band. The
issue is not that the band is bad, but that listeners need a
certain preparation or equipment in order to 'understand' how to
listen to our music.
So, if you're no wuss, or you're just ready to be a little
adventurous, maybe you should see if you've got what it takes to be
a NBtB fan. And if you find out you're just not ready for our kind
of music, keep the CD around, maybe you'll 'get it' one day.
-Rev. Nick Lucre, Tunester of the Future
Time: Wed, 09-May-2001 03:07:13 GMT IP: 208.129.184.88 I really like that Cat Power song...
Time: Wed, 09-May-2001 04:53:35 GMT IP: 128.255.111.35 i would like to see what the no shame people thought of best of and what the audience though somebody should write a review of that show even if he already reviewed every skit in best of
Time: Wed, 09-May-2001 05:17:41 GMT IP: 209.217.137.167 That is an awesome Cat Power song. In fact, few and far between is the CP song I don't love. However, I don't really remember Cross Bones Style being in my mind when I created the intro to Teresa. It's only 2 notes, so it's not that hard to stumble onto. I think you're wrong, Johnny Handsome. Though I don't entirely dismiss the possibility. In other news, if someone is so doggone keen on seeing reviews of BONS, why the heck doesn't he / she POST A CONSARNED REVIEW OF HIS/ HER OWN FOR CRYING OUT LOUD?!?!?!?!?! -rev. lucre
Time: Wed, 09-May-2001 14:55:08 GMT IP: 128.255.95.37 I don't have the gumption to do a play-by-play review of the show, but two things I wanna say: 1) I thought it was a really good night that didn't suffer, as a whole, from the rerun factor that has occasionally dimmed the effect of previous BONSs, and 2) Tremendous, overwhelming kudos to the board for putting together such a great order! It can be hard to balance a huge list of rockin' pieces with the demands of an order that only has so many slots, and there are always things that deserve repeating that just can't make it in--so it's not an easy job being the one to do the cutting, but it has to be done. I thought y'all did great. Thankee, Adam
Time: Thu, 10-May-2001 16:27:27 GMT IP: 128.255.111.248 The Satori Snow feature film, "Mental" will be at 7 pm at 101 BCSB, starring the likes of Brad Smith, Gerry Roe, Kyle Lange, Lynn Anderson, Sarah Schmitt, etc. If I forgot your name it means I don't love you. Mark. P.S. Will Paul Rust ever forgive me? Will there ever be a silver lining? Will there ever be a "Nozebone: The Feature Presentation"? Stay tuned. (Starring John Ritter -&- Pam Dawber.)
Time: Fri, 11-May-2001 04:11:14 GMT IP: 205.244.160.157 Hi. As you may know, my father is a professional photographer. Also, my father attended BONS. My father took photos at BONS. He scanned 3 of them and emailed them to me. I uploaded them to my website. They are nice. You should look at them. They're not just of me. But you'll have to go look at them to learn the secrets of who is in the pictures. Shhh! http://www.avalon.net/~aprille/NoShame2.jpg http://www.avalon.net/~aprille/NoShame3.jpg http://www.avalon.net/~aprille/A.C.NoShame1.jpg Web Host Friend: you can just grab them yourself if you want, or I'd be happy to email you these and the others when I get more.
Time: Fri, 18-May-2001 21:26:44 GMT IP: 128.255.108.122 I whipped up a website of all the pics my dad has sent me (so far). Enjoy it here: http://www.avalon.net/~aprille/noshamepics.html Webmaster: feel free to link to this page, grab any images you don't have yet, etc.
Time: Tue, 22-May-2001 17:35:40 GMT IP: 128.255.245.179 No Shame in the Summer. No Shame in the Summer?
Time: Wed, 23-May-2001 00:19:08 GMT IP: 208.50.104.48 who won that freaky scholarship? has it been decided? wha?!
Time: Wed, 23-May-2001 18:40:35 GMT IP: 205.221.255.42 ...like when Aaron and Neil get back from Europe...
Time: Wed, 23-May-2001 20:27:51 GMT IP: 128.255.55.79 Dear Friend Arlen, It is my private desire for you to privately know that you are being talked about not-so-privately on the ISCA No Shame forum. I believe this might be of private interest to you. Private love, Aprille P.S. Also Balls is being talked about, but that's nothing new or interesting.
Time: Fri, 25-May-2001 13:37:32 GMT IP: 64.0.99.137 Also, Nick Clark was mentioned at least once. This is kinda new and interesting, but mostly creeps me out. I'm not fond of being talked about in a way that can be construed as remotely sexual by the shady ISCA crowd. Ick. Maybe it will make the Arlen happy to hear these things though. I hope it does. I hope that Neil is happy too. I hope anyone who should be happy is finding a way to be happy. That is my desire. Please be happy. happy love, Nick :) :) :) :) :) :) :) :) :) :) :)
Time: Sat, 26-May-2001 05:51:51 GMT IP: 24.4.252.103
Well, pay attention to the ladies!
If you have a lady, DO pay attantion to her. She like it.
Sge no like wghen you ignore it! DO NOT be MEAN JERKA SS. Do
not play your rock. Do not play it. Play with a lady! SHE FUN!
LOVE ADVICE!
jerks
Time: Wed, 30-May-2001 05:55:18 GMT IP: 205.188.193.38 Also, Nick Clark was mentioned at least once. This is kinda new and interesting, but mostly creeps me out. I'm not fond of being talked about in a way that can be construed as remotely sexual you get used to it, Nick. Oh wait, no you don't. Or at least, I don't. But you might. I am not. Grr. m.
Time: Thu, 31-May-2001 07:02:42 GMT IP: 128.255.111.26 For those of you watching at home, Arlen is pounding his silverware on the table in a steady rhythm, pronouncing each syllable of "Summer shame" as the silverware strikes. It's like a chant almost. Suh mer shame suh mer shame suh mer shame suh mer shame
Time: Thu, 31-May-2001 23:50:36 GMT IP: 128.255.108.119
If a message by me got posted a second ago, read it.
If not, I repeat some of it now.
Neil and I are back from the frozen tundra of the egypt forest. I
would like to do a summer shame but will be gone for three more
weeks again. It can happily happen without me, but I will like to
help it happen when I return, again.
The sounds coming out of my voice mail seem to indicate our cool
ass No Shame furniture was destroyed by the ruthless Theatre Shop.
I am the Stubble.
[Skip back to April 2001 / Return to Boardroom index / Skip ahead to June 2001]